P157:[{"_175":176,"_1114":1115},"products",[177,242,278,318,352,391,428,463,501,538,573,605,643,684,721,757,793,829,864,902,937,973,1010,1042,1078],{"_13":178,"_41":179,"_162":180,"_181":16,"_182":53,"_39":183,"_184":185,"_186":187,"_188":189,"_190":191,"_196":197,"_203":204,"_207":208,"_214":215,"_218":219,"_225":226},"gid://shopify/Product/15418671628605","Half of love is still Love - Long Xi Vlessing","half-of-love-is-still-love-long-xi-vlessing","vendor","productType",[],"createdAt","2026-10-08T23:39:41Z","descriptionHtml","

Half of love is still Love is the first published monograph from photographer Long Xi Vlessing and the debut title from healing time, an imprint by Hard Liver. The fruit of Vlessing's return to his family village in Fujian traces grief, intimacy and love through fragile portraits of the people and landscapes around him. Amidst the grave illness and passing of a patriarch, Vlessing introduces an emerging cast of soap characters occupying the space of contemporary Chinese life: Blue Mother, Blue Neighbour, The Blower, The Bodybuilder. Shifting between mountain country and the urban seaside, these images hold life and death in close proximity, acting as a conduit for Love's jumbled excess.

Adhering to a set of strict technical rules over months, Vlessing photographed analogue and sans tripod, balancing his camera on shelves, boxes, low walls, beds, eaves and edges to evoke the perspective of domestic objects. The resulting images situate us squarely within the artist’s mounting world of visual storytelling, one where both family and strangers stand as equals before the camera as abrupt subjects in revelatory moments, where private life evolves organically into creative catalysts, and the eye wanders to find meaning in the quotidian: ordinary moments serve as symbols of transformation, grief, humour and shared humanity.

Opens with a foreword by Toronto-born writer and curator Temple Marucci-Campbell.

Published by healing time

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A collaborative product with May and Offbrand Library. Bookends in green polyethylene with a textured finish.

may is a New York based homeware studio/design brand, imagined by Moses Petros & Alpha Yaya.

may-now.com / @may__now

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Frank Lloyd Wright Monograph 1951-1959, Volume 7 is part of the landmark 12-volume series published by A.D.A. Edita Tokyo, edited and photographed by Yukio Futagawa with text by Bruce Brooks Pfeiffer, produced with the cooperation of the Frank Lloyd Wright Foundation. Photographs and mostly drawings of his building and projects between 1942-1950.

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Frank Lloyd Wright Monograph 1951-1959, Volume 8 is part of the landmark 12-volume series published by A.D.A. Edita Tokyo, edited and photographed by Yukio Futagawa with text by Bruce Brooks Pfeiffer, produced with the cooperation of the Frank Lloyd Wright Foundation. Photographs and mostly drawings of his building and projects between 1951-1959.

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Exhibition catalog for a 1986 Memphis Milano show dedicated to Ettore Sottsass and Marco Zaninin's glass work.

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Lookbook for the third season of Diesel Stylelab. Launched in A/W98, the line was positioned as an upscale and more conceptual high fashion version of Diesel that could compete with the late 90s luxury brands like Prada, Miu Miu and others. This A/W99 catalog is their third ever collection and features photography by Warwick Saint

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Saddle stitched lookbook for the second season of Diesel Stylelab. Launched in A/W98, the line was positioned as an upscale and more conceptual high fashion version of Diesel that could compete with the late 90s luxury brands like Prada, Miu Miu and others. This SS99 catalog is their second ever collection and features photography by Rankin, with makeup by Charlotte Tilbury.

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3D-2D: The Designers Republic's: Adventures In and Out of Architecture is the design studio's attempt to recreate a three-dimensional building as a printed publication. The main subject being Sadar + Vuga's CCIS Office Building (Chamber of Commerce and Industry of Slovenia) in Ljubljana. Large-format spiral-bound book with fold-out pages; the format itself is the argument, collapsing the boundary between architectural drawing, graphic design, and spatial experience. Essay by Ole Bouman.

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A one off newspaper produced by Maison Martin Margiela for their Autumn/Winter 2005 season. 40 pages of content, designed as articles, tabloids, and ads, produced for press and buyers. This was never publicly available for sale. Art directed by Spine, Paris. English, French and Japanese.

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Autumn Winter 2006- 2007 Maison Martin Margiela lookbook, featuring men's runway looks, along with product images. The lookbook is designed as an accordion, with the images folding onto themselves to form this foldable catalog. Used in showrooms and with buyers, the lookbook covers are bound in a white cloth. A rare catalog from when Martin himself was at the helm of his label.

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Autumn Winter 2007- 2008 Maison Martin Margiela lookbook, featuring men's runway looks, along with product images. The lookbook is designed as an accordion, with the images folding onto themselves to form this foldable catalog. Used in showrooms and with buyers, the lookbook covers are bound in a white cloth. A rare catalog from when Martin himself was at the helm of his label.

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Visionaire teams up Tom Ford and Gucci on an issue devoted to the theme 24 LIGHT. Visionaire and Ford attempted to steer clear of fashion and to focus on what we considered to be fine art images. LIGHT introduced a new cast of contributors to Visionaire with artists such as Sam Taylor-Wood, Andreas Gursky, and Christopher Bucklow, art director Peter Saville, animator Hayao Miyazaki, and architect Toyo Ito.

Visionaire sourced state-of-the-art, paper-thin filament that would literally light up the issues. The end result: twenty-four large-format transparencies self-contained in a super-sleek, fully-functional light box, that lights up to properly display each image.

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The seventh issue of the SIX magazine series from Comme Des Garçons. The magazine aimed to explore the sixth sense and was a unique visual extension of the brand. Very little clothes are featured with more abstract photos created by guest editors and collaborators. Issue seven includes work from by Brian Griffin, Christian Moser, David Seidner, Juergen Teller, Javier Vallhonrat.

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Dazed and Confused magazine issue 69, September 2000 featuring Marilyn Manson on the cover. A 10-page world exclusive story timed to the release of Holy Wood, his third album. The interview covers his supernatural reputation in a puritan country, the Columbine scapegoating, America as a breeding ground for extremism, and his use of mind-altering substances. Additional features on Bono, Muhammad Ali, Alan Cumming, and the Dalai Lama.

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Exhibition catalogue published to accompany the touring retrospective at the Itami City Museum of Art, June - July 2001. The same exhibition that originated at the Haags Gemeentemuseum in 1993 and toured Europe before reaching Japan seven years later. Essays by Mariana Stockebrand and Kazue Fujimaki, foreword by Kikuo Okochi. Plates section followed by checklist, chronology, exhibition history, and bibliography. Bilingual Japanese and English.

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Full-page magazine advertisement featuring Holzer's inflammatory essay. Produced for MTV, art directed by Tom Godici as apart of MTV's \"Just when you think you know what it is...\" campaign. She also had Truisms texts scrolling across TV screens as a part of the MTV programming.

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Spring 2000 issue of the Japanese alternative culture magazine. Scarlett Johansson photographed by Sofia Coppola on the cover, apart of a feature with the director. Also includes Hiromix, Terry Richardson and more.

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Collections is an oversized fashion magazine that would share original images of the latest runway images from each season. Published by GAP press Japan, this issue focuses on the Spring Summer 2003 collections that were shown in Milan Over 1100 images of brands like Jil Sander, Ruffo Research, Gucci and more.

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Penn's definitive self-selected retrospective, compiled at age 74. 468 photographs spanning 1938–1991 — portraits, fashion, still lifes, nudes, street refuse, animal skulls, and documentary work from villages across five continents. Accompanied throughout by Penn's own recollections and commentaries, appearing here for the first time.

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Part of Assouline's Mémoire series. Written by Bridget Foley, covering Jacobs' career from his graduation collection at Parsons through Perry Ellis, the notorious grunge collection, the launch of his own label, and his appointment as creative director at Louis Vuitton. Illustrated with personal candids alongside backstage photographs, campaign imagery, and documentation of his friendship circle — Kate Moss, Sofia Coppola, Chloë Sevigny.

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Documents the full design and construction process of Herzog & de Meuron's 2003 Prada Epicenter in Tokyo's Aoyama district — a mixed-use building encased in a faceted glass and steel skin, with a public plaza as its base. Words, models, sketches, photographs, and architectural drawings by the architects. Preface by Miuccia Prada and Patrizio Bertelli, essay by Germano Celant. 983 colour illustrations. Softcover with integral flaps, silver-grey illustrated wrappers.

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Set of 7 unbound fashion illustration cards housed in a textured cardboard sleeve. 6 large cards with hand-drawn illustrations from the F/W 1992 men's and women's collections and one title card.

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2001 reprint of Yayoi Kusama's self published cult zine \"An Orgy of Nudity, Love, Sex & Beauty.\" Originally printed on newsprint in 1969, the zine combined tabloid pornography and work from the New York art world, along with work from Kusama herself.

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Parkett provides a one-of-a-kind, one-stop survey and archive on and with contemporary artists from around the world. Its 101 publications were published from 1984 - 2017 and include direct collaborations with compelling contemporary artists. This issue includes Katharina Grosse, Richard Serra and Bernard Frize.

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A mix and match style lookbook where each page is split horizontally into two separately flippable sections that allows the reader to make their own combinations of Chloë Sevigny. Photographs by Mark Borthwick with drawings throughout by Rita Ackerman, Dan Colen, Lizzie Bougatsos, Benjamin Cho, and Spencer Sweeney among others.

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